by Terry L. Meyers
The tension, perhaps even ambivalence, always acknowledged in representing the Williamsburg Bray School is the tension between the liberating effect of education for the scholars and the fact that they were being indoctrinated into a religion underpinning chattel slavery. But what was slavery actually like, locally?
One of William & Mary’s Seven Wise Men–the seven professors who taught at the College after it reopened in 1888–John Lesslie Hall, lamented in 1907 that Northern historians neglected the “bright side” of slavery—free food, lodging, clothes, medicine, and short working hours. That was a view entertained by W&M students in 1854:

But slavery here in the 19th century was cruel.
Eliza Baker, born into slavery in 1843 in Williamsburg, recalled the city’s flogging post with an iron cage nearby to hold the enslaved before and after trials. She recounted too the threat of being sold: “some [enslavers] treated ’em right tough, and some right good. They made you do what they wanted you to do, and if you didn’t do what they wanted you to, they put you in their pocket.” She explained, “That means the n—– trader would get you.”
She recalled the slave auctions: “from the block on the Court House Green. I have heard many a crying-out.” The auctioneer (and the overseer of those W&M enslaved), Moses Harrell, “would cry them out. ‘Here they go!’ he would cry. Hardly any parents would stand by to see their children sold.” A slave found with a book could be whipped. If out after 9:00 p.m.: thirty-nine lashes.
Visiting Williamsburg at the end of the Civil War, abolitionist Laura S. Havilland told of the enslaved abused at Kingsmill and of families separated as members were sold south. And she recounted the story of a girl in Yorktown who was punished for going to a night meeting:
for so doing [she] was stripped naked and whipped in the presence of the other slaves, the master himself plying the lash. While she cried for mercy her master replied,
“I’ll give you mercy.”
“Good Lord do come and help me.”
“Yes, I’ll help you” (and kept plying the lash).
“Do, Lord, come now; if you ha’n’t time send Jesus.”
“Yes, I’m your Jesus,” retorted the inhuman persecutor, and he continued to ply the lash until thirty strokes were well laid on.
And slavery in the 18th century was cruel.
Some accounts are precise but abstract. Robert Carter Nicholas said the enslaved near Williamsburg “are treated by too many of their Owners as so many Beasts of Burden.” Jefferson noted that “the whole commerce between master and slave is a perpetual exercise of the most boisterous passions, the most unremitting despotism on the one part, and degrading submissions on the other.”
Other accounts are more concrete. One by author and abolitionist Thomas Day, likely derived at least in part from the observations of Jefferson’s W&M mentor, William Small, is vivid: Black men and women forced “to labour naked in the sun to the music of whips and chains,” robbed “of every thing which is now dear to your [whites’] indolence, or necessary to your pleasures,” goaded “to every species of servile drudgery,” and punished for whites’ “amusement and caprice,” their youth exhausted “in servitude” and finally abandoned in “age to wretchedness and disease.”
The slave market in Yorktown or Williamsburg is where the newly arrived “surviving wretches” “are transferred to their conscientious masters—… brought into the market, naked, weeping, and in chains; —how one man dares to examine his fellow creatures as he would do beasts, and bargain for their persons; —how all the most sacred duties, affections, and feelings of the human heart, are violated and insulted.”
Lawyer and judge St. George Tucker recalled an enslaver near Williamsburg who “always makes it a point of having, what is called, a smart Overseer, whose duty it is to keep them [the enslaved] tightly to their work. That is, the negroes are to be in the fields at the first dawn, of the day, and at their work, as soon as they can see to do any thing, in dark nights, when there is no moonshine; but, when the moon shines the latter part of the night, they must be at work before three O Clock, in summer, and before four in winter. And when the moon shines in the Evening, they are to continue at work until nine a-Clock, except in the Tobacco-season, when they are not dismissed until eleven.”
And when Tucker rose one summer dawn, “looking out of the window [he] saw a negroe woman whose appearance indicated that she was advanced in a state of pregnancy, walking tolerably fast towards the Corn field: she was presently met by her overseer, who gave her at least half a dozen severe stripes over the shoulders by way of quickening her pace.”
Philip Fithian records the viciousness at Nomini Hall about 1773; an overseer “said that whipping of any kind does them [the enslaved] no good, for they will laugh at your greatest Severity; But he told us he had invented two things, and by several experiments had proved their success.—For Sulleness, Obstinacy, or Idleness, says he, Take a Negro, strip him, tie him fast to a post; take then a sharp Curry-Comb, & curry him severely til he is well scrap’d; & call a Boy with some dry Hay, and make the Boy rub him down for several Minutes, then salt him, & unlose him. He will attend to his Business, (said the inhuman Infidel) afterwards!
—But savage Cruelty does not exceed His next diabolical Invention—To get a Secret from a Negro, says he, take the following Method—Lay upon your Floor a large thick plank, having a peg about eighteen Inches long, of hard wood, & very Sharp, on the upper end, fixed fast in the plank—then strip the Negro, tie the Cord to a staple in the Ceiling, so as that his foot may just rest on the sharpened Peg, then turn him briskly round, and you would laugh (said our informer) at the Dexterity of the Negro, while he was relieving his Feet on the sharpen’d Peg!”
Tension? Ambivalence? Maybe so.
Terry L. Meyers retired from William & Mary as Chancellor Professor, Emeritus, of English after 46 years of teaching. His tenacious curiosity about the Williamsburg Bray School building set in motion events that led to the building’s ultimate rediscovery–and restoration.